Major Awards and Honors
Dagger Awards
- 1996: Rusty Dagger – "The Nine Taylors" (1930)
Dorothy L. Sayers
(1893 – 1957)
Bibliography
The Lord Peter Wimsey Mysteries
- Whose Body? (1923)
- Clouds of Witness (1926)
- Unnatural Death (1927)
A/K/A: The Dawson Pedigree
- The Unpleasantness at the Bellona Club (1928)
- Lord Peter Views the Body (1929)
Short stories
- The Fascinating Problem of Uncle Meleager's Will (1925)
- The Entertaining Episode of The Article in Question (1925)
- The Learned Adventure of the Dragon's Head (1926)
- The Adventurous Exploit of the Cave of Ali Baba (1928)
- The Bibulous Business of a Matter of Taste (1929)
- The Five Red Herrings (1931)
A/K/A: Suspicious Characters
- Murder Must Advertise (1933)
- Hangman's Holiday (1933)
Short stories
- The Poisoned Dow '08
- Sleuths on the Scent
- Murder in the Morning
- One Too Many
- Murder at Pentecost
- Maher-Shalal-Hashbaz
- The Man Who Knew How (1932)
- The Nine Tailors (1934)
- Lord Peter (1938)
Short stories
- The Queen's Square (1932)
- Absolutely Elsewhere (1933)
- The Haunted Policeman (1938)
- In the Teeth of Evidence (1939)
Short stories
- A Shot at Goal
- Dirt Cheap (1936)
- Bitter Almonds (1939)
- False Weight
- The Professor's Manuscript (1939)
- The Inspiration of Mr. Budd (1926)
- The Leopard Lady (1928)
- Scrawns
- The Milk Bottles (1932)
- The Cyprian Cat (1933)
- Dilemma (1934)
- An Arrow O'er the House (1934)
- Blood Sacrifice (1936)
The Lord Peter Wimsey/Harriet Vane Mysteries
- Strong Poison (1930)
- Have His Carcase (1932)
- Gaudy Night (1935)
- Busman's Honeymoon (1937)
- Thrones, Dominations (1938)
– Left unfinished at Sayers's death; completed by Jill Paton Walsh at the request of Sayers's Estate. (1998)
Nonseries Fiction
- The Documents in the Case (1930)
– With Robert Eustace.
- The Floating Admiral (1931)
– With other members of the Detective Club.
- Ask a Policeman (1933)
– With others.
- Six Against the Yard (1936)
A/K/A: Six Against Scotland Yard
– With others.
- Double Death (1939)
– With others.
- Striding Folly (1973)
– Short stories.
- The Scoop, and Behind the Screen (1983)
– With others.
- Crime on the Coast, and No Flowers by Request (1984)
– With others.
Anthologies
- Catholic Tales and Christian Songs (1918)
- Great Short Stories of Detection, Mystery, and Horror 1 (1928)
– Editor. - Great Short Stories of Detection, Mystery, and Horror 2 (1929)
– Editor. - Great Short Stories of Detection, Mystery, and Horror 3 (1934)
– Editor.
Plays
- Busman's Honeymoon (1936)
– With Muriel St. Clare Byrne.
- The Zeal of Thy House (1937)
- The Devil To Pay (1939)
- Love All (1940)
- He That Should Come (1940)
- The Man Born To Be King (1942)
- The Just Vengeance (1946)
- Where Do We Go From Here? (1948)
- The Emperor Constantine (1951)
Poetry
- Opus I (1916)
- The Poetry of Dorothy L. Sayers (1996)
Nonfiction
- Begin Here (1940)
- The Mind of the Maker (1941)
- Even the Parrot (1944)
- Unpopular Opinions (1946)
- Creed Or Chaos (1947)
- The Lost Tools of Learning (1948)
- Introductory Papers On Dante (1954)
- Further Papers On Dante (1957)
- The Poetry of Search and the Poetry of Statement (1963)
- Christian Letters to a Post-Christian World (1969)
- Are Women Human? (1971)
- A Matter of Eternity (1973)
- The Whimsical Christian (1987)
- Dorothy L. Sayers: Spiritual Writings (1993)
- The Letters of Dorothy L Sayers:
- 1899 – 1936: The Making of a Detective Novelist (1996)
- 1937 – 1943: From Novelist to Playwright (1997)
- 1944 – 1950: A Noble Daring (1999)
- 1951 – 1957: In the Midst of Life (2000)
Translations
- Tristan in Brittany (1930)
– From Medieval French.
- The Song of Roland
– From Medieval French.
- The Divine Comedy (1949, 1955)
– From Dante Alighieri.
Left unfinished at Sayers's death; last 13 cantos and notes and commentary to the Paradiso supplied by
Barbara Reynolds (1962).
Themis-Athena's Reviews
Gaudy Night
Rich, Rewarding and Way Ahead of Her Time.
Harriet Vane is long past marrying age, independent (like Ms. Sayers herself, she is a mystery writer) ...
and on top of all that, she was the primary suspect in the murder of her own fiancé not too long ago.
So can she possibly be a good choice as the person that her alma mater, Oxford's [fictional] Shrewsbury College
turns to in order to help solving crimes ranging from poison pen letters to acts of vandalism and assault?
Not all of the college's dons think so. In fact, even before being called on for this delicate task, upon
returning to Oxford for the first time in years for a school reunion ("Gaudy Night"), Harriet's presence in
the college triggers thinly-veiled inquiries into the details of her encounter with the criminal justice system
and, coincidentally with that experience, into her difficult friendship with Lord Peter Wimsey (much-acclaimed
graduate of another Oxford college, diplomat, amateur sleuth and, for much of his career, one of literary
history's most dashing bachelors). Shrewsbury's teachers and students, past and present, heatedly discuss
issues ranging from a woman's choice between profession and family, and the respective values of independence
and loyalty, to the meaning of truth and accuracy in a scholar's work ethics. Those who were never in favor
of the college's decision to ask Harriet to help unraveling the secret behind the progressively evil deeds
plaguing Shrewsbury are, predictably, even more scandalized when she ultimately brings in Lord Peter Wimsey;
who after all, as everybody has long since concluded, is vying for her hand in marriage. Ultimately, however,
the dons find themselves almost uniformly grateful to Harriet and Lord Peter: The perpetrator's identity is
revealed, and the sleuthing pair has managed to keep the affair out of the headlines and out of the local
police's reach – which would have meant immeasurable damage to the college's reputation, so crucial at a time
when the presence of women on the sacred grounds of a traditional and highly acclaimed university was anything
but a given.
This novel has it all: the best of Dorothy Sayers's writing (rich characters, intimate knowledge of her
subject and the setting of her story, suspense, humor and a thoroughly believable plot), a profound and
engrossing discussion of moral issues way before her time and, last but not least, one of the classiest and
most unusual marriage proposals I know of, in fact or fiction. ("Placet, magistra?") Unlike many other mysteries
it does not open with the crime to be solved; rather, Ms. Sayers leads the reader into the story through
Harriet's reflections upon returning to Oxford for her school's reunion. This book, then, is not to be measured
by the standards or the sensationalism of an action thriller – it follows the beat of a more measured drummer,
although tensions are certainly running high throughout the story; emotionally, socially and otherwise. This
is one of Dorothy Sayers's best works, and not only a great mystery story but as truly rewarding and lasting
a reading experience as any literature ever will be.
For further information consult:
Themis-Athena's select Lord Peter Wimsey bibliography
Themis-Athena's Lord Peter Wimsey & Harriet Vane BBC features page
Dorothy L. Sayers's biography at the Kirjasto Authors' Calendar
The website of the Dorothy L. Sayers Society
Themis-Athena's select British detectives bibliography and filmography
Themis-Athena's select British detectives audiography
Themis-Athena's Guide to Women Writers: Part 1,
Part 2 and
Part 3
Themis-Athena's select bibliography of mystery tie-in cookbooks
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